A hearty, energetic and often very touching rendition of “Fiddler on the Roof” opened Thursday at the Maricopa Performing Arts Center.
The latest production of the Maricopa High School Theatre Company hit all the big, showstopper expectations as well as the intimate notes of family, love and faith. The cast of over 100 was accompanied by an under-stage orchestra of student and adult musicians.
There’s solid story-telling, there’s singing, there’s dancing, there is a faux dream and a living nightmare. It’s a heck of a show.
“Fiddler” inherently lives or dies on the shoulders of whoever plays Tevye the dairyman, around whom everyone in the Russian village of Anatevka seems to revolve (literally at one point). In this case, senior Antonio Gonzales is at his best, carrying his scenes with authority and conveying the complexities of a simple man being tossed about by changes he cannot control.
He and Emma Schrader as Tevye’s wife Golde have some particularly strong sets together. They are a poor couple with five daughters, three of whom are of marriageable age and are portrayed by three of the company’s most accomplished actresses. All are excellent.
Aidyn Curtis as the oldest daughter Tzeitel must accept an arranged marriage to a much older but well-off Lazar Wolf (Douglas Moulton) or defy her father for a poor tailor she has loved since childhood (Brandon Korittky). Kjirsten Lemon as Hodel falls for a scholar with revolutionary ideas (Ricky Raffaele), which does not please Papa at all. Taryn Story as Chava commits the almost-irredeemable sin of marrying a Gentile (Derek Blakely), a break from faith and tradition that Tevye cannot bear.
Korittky as Motel the tailor rounds out four years as arguably the troupe’s most reliable character actor. He’s terrific here. Mary Brokenshire is a scene-stealer as Yente, as is Fallon Fruchey as long-dead Grandma Tzeitel.
The set is top-notch, effectively using small parts to convey larger scenes. The Fruma-Sarah entry with Astraya Ellison in the very funny dream sequence is a tour de force. The live orchestra was a good call on the part of director Alexandra Stahl. It was also transforming to have the actors choreographed into dancers by MHS dance teacher Alexandra Biggs.